The outstanding feature of Li Bai and Su Shi is that they have surpassed themselves and even surpassed their respective times in their unremitting pursuit. How far a person can go does not depend on how wide a field his steps involve, but how long his personality and thoughts can shine. Whether it is because the literati in the special era have the characteristics of roaming and yearn for to travel around mountains and rivers, such as Li Bai, or because they have been repeatedly demoted and helpless, such as Su Shi, they left traces between mountains and rivers, and their spirit echoed between heaven and earth. Let&;s make a comparison between Li Bai and Su Shi in five aspects: bold and unconstrained, thought, drifting away, moon image and wine image. Li Bai and Su Shi have always been regarded as the representatives of the bold school in their respective dynasties, representing the spirit of the times and the highest cultural level in their respective dynasties. However, due to the differences in social and cultural environment and their respective life experiences, their bold connotations are quite different. Li Bai and Su Shi, two literati of different times, have many striking similarities: Confucianism, Taoism and Buddhism have great influence on their lives; Both of them are from Shu; Both of them are persistent in pursuing their own ideals and personalities, and they are the highest representatives of literature in their respective times. Their styles are diverse and bold, so many people have always liked to compare these two literary masters together. For example, in the Qing Dynasty, Liu Xizai called Su Shi&;s &”;unconstrained ambition&”; &”;clos《清真先生遗事 》: &”;Compared with Tang poetry, Dongpo seems too white.&”; Contemporary Li Zehou also thinks that &”;Su Shi is closer to Li Bai&”; in the elegant poetic style. By understanding their respective cultural environment, personality and life experience, we can find that their bold and unrestrained connotation is very different. Specifically divid—— is emotional and extroverted; On the one hand, Su Shi&;s bold and unconstrain—— is rational and introverted. For Li Bai, Mr. Lin Geng once commented on Li Bai as &”;a poet with the most distinctive character in history&”; and &”;naive and amazingly simple&”;. Li Bai&;s character is more of a childlike innocence, an informal and spontaneous behavior, and an undisguised publicity. Therefore, he will say what he thinks and write what he writes in his poems. He is not as sophisticated and sophisticated as an adult. If the world laughs at him, he encourages himself with Confucius&; &”;awesome afterlife&”;; The emperor should be called to Beijing. He sang &”;Laugh at the sky and go out. Are we Artemisia people?&”;; He can comfort himself when he is given the gold back, &”;oh, how can I gravely bow and scrape to men of high rank and men of high office, who never will suffer being shown an honest-hearted face&”;. Li Bai is an emotional poet. There is not too much rational thinking in his poems, and most of them are lyric poems. In these poems, the poet does not express his life calmly and meticulously, but spurts out his emotions with the help of rich and unique imagination, bold exaggeration and novel comparison. Comm《将进酒》, Yan Yu said, &”;If you are passionate, you can&;t appreciate every word. It&;s too white to cover others&; poems with a pen, but it&;s just … &”;. This is my affection for him.The best explanation of sensibility and extroversion. For example, when expressing strong resentment, he sang loudly: &”;since heaven gave the talent, let it be employed!&”;, &”;I will mount a long wind some day and break the heavy waves&”; and &”;White hair is three thousand feet, and sorrow is like a long one&”;; When criticizing the Anshi , he cried out painfully: &”;Bones become hills, but what is the crime of ordinary people?&”;. His poems are like rivers flowing into the sea, rushing and unrestrained; Or like a stormy wave lapping on the shore, the waves are surging; Or like thunder and fury, shaking the earth; Or like a flying stream, the milky way falls into the sky. When we are reading Li Bai&;s poems, we often feel that there is a kind of momentum stirring people&;s thoughts, a kind of subject life being displayed and a kind of self-spirit being publicized. This kind of strength, momentum and spirit is nothing but the overwhelming and unstoppable extroverted feelings of the poet. It &”;makes the vigorous and unrestrained passion of life get a strange and exquisite concrete carrier&”;, and when &”;thinking strikes, it often makes the subject of life spread his life to the outside, thus creating a new life karma between man and all things in the universe&”;, and &”;through the stimulation, venting, distortion, sublimation and illusion of life potential, he is in the critical state of life and sees the life. On the other hand, for Su Shi, he did not act spontaneously. In the face of the ups and downs of his official career, the departure of relatives and friends, and the wandering of life, he did not immediately vent it like Li Bai, showing more introverted and rational thinking. As Li Zehou commented on Su Shi: &”;The sense of emptiness in life expressed by (Su Shi) through poetry is deeper and heavier than any oral retirement, return to the field and seclusion of the predec《水调歌头·明月几时有》 is a good example of Su Shi&;s point. Political frustration and the long separation of relatives make the author feel uncomfortable, but the author does not blindly immerse himself in this kind of pain. The moon is full and round, which reminds the author that everything can&;t be happy in life, and everything will come and go, so political pride and frustration are also very common things. Why bother to be depressed when the moon is different? Why mourn for temporary parting and frustration? With this thought, the poet turned to rationality and adopted an open-minded and optimistic attitude, turning resentment into broadmindedness. &”;I hope people will live for a long time&”;, which breaks through the time limit of &”;a thousand miles together&”;, breaks through the barrier of spac—— is elegant; On the one hand, Su Shi&;s bold and unconstrain—— is open-minded. For Li Bai, Li Bai&;s personality is frank, and his poems are free to write freely. The content of his poems is generally the truest feeling in his heart, and any emotional changes he has will be immediately reflected in his poems. Therefore, his poems are as natural as flowing clouds, as elegant as a lonely cloud and wild crane. Regarding Li Bai&;s elegant style, many poets and critics have always summarized it. His friend Ren Hua said: &”;In ancient times, there were articles that were easy to escap《杂言寄李白》）； Du Fu, who is 11 y《春日忆李白》: &”;Bai Ye&;s poems are invincible, but he thinks differently. Fresh Geng Kaifu, Junyi Bao joined the army; Wang Anshi said: &”;The poems of Bai are bold and elegant, and people are firm.&”; Yan Yu said: &”;The beauty of the child cannot be elegant for Taibai, and Taibai cannot be depressed for the beauty of the child.&”; (《沧浪诗话》) When reading Li Bai&;s works, we will always feel that he is free and easy, with bright and clear style, carefree charm and 《送友人入蜀》: See Can Cong Road, which is rugged and difficult to walk. The cliff rises abruptly from the face of the human face, and the gas rises with the rise of the horse&;s head. The flowering trees cover the path of the qinruchuan river, the river flowing around the river, and the capital of Shu. Your advance and retreat have been settled, and you will not be asked to ask the kunpei of the good. Seeing friends off, the rugged, steep, dangerous and difficult journey, written by the author is so relaxed and lively, so that friends not only have no fear of dangerous mountain roads, but go forward as if they were looking for a secret. In Li Bai&;s pen, the dangers of &”;the mountain starts from the human face, and the clouds are beside the horse&;s head&”; are nothing at all, but only the beautiful and attractive scenery of &”;the fragrant trees are caged in Qin stacks and the spring flows around Shu city&”;. 《唐宋诗醇》&;s editor commented on the cloud. &”;This poem is connected with the second sentence, and its meaning is strange, and five or six people want to be slim.&”; It&;s hard to talk about the Shu Road, and I&;ll see the scenery coke again in May and June to comfort my husband. These two meanings are also. It&; s even more forgiving to turn over the case. &”; Although this poem describes the steep journey, it can be expressed in a brisk style, with a calm bearing and an extremely elegant state. On the other hand, for Su Shi, if Li Bai&;s feelings can gush out like &”;how the Yellow River&;s waters move out of heaven&”; and flow freely in the outside world, then Su Shi is more concerned with his experiences with a rational eye, looking for a relief in his heart, thus forming a clear and comfortable style. As for Su Shi&;s abstinence, predecessors have long discuss《人间词话》: &”;Dongpo&;s words are abstruse&”;; Ms. Ye Jiaying said that Su Shi&;s poems often &”;have a philosophical insight from the heart and mind&”;; Mr. Liu Yangzhong thinks that even the graceful and restrained works in Su Shi&;s poems show the characteristics of &”;being broad in grace&”;. Especially after &”;Wutai Poetry Case&”;, the expression of the author&;s openness and comfort in his works is more obvious. Let&;s watch a song, 《定风波》: It rained in Shahu Road on March 7th. The rain gear went first, and my peers were all in a mess, so I didn&;t feel it alone. It has cleared up, so pretend this. Don&;t pay attention to that in the forest to beat the rain, may as one side chanted a long whistle, while walking leisurely. Bamboo poles and straw sandals are more nimble than riding, what is the terrible thing? A raincoat of coir raincoat, let the wind and rain, still live my life. The chilly spring breeze awakens the wine, and it is slightly cold, but the hills are slanting to meet each other. Looking back at the place to meet the wind and rain, go back, for m《念奴娇》&;s, is an out-and-out broad-minded poem with a philosophy of trivial matters. In the first film, I write about the calm and serene appearance of walking in the rain when it rains halfway, and in the second film, I write about the scenery after the rain and the philosophy of life I realized from it. Rain is a very common thing in life. The author uses the rain of nature as a metaphor for political setbacks.Life is stormy. &”;Looking back at the bleak place, there is no rain or shine&”; is the essence of the whole word, which expresses the author&;s broad-minded mind after experiencing setbacks and storms in life. 3. Li Bai&;s bold and unconstrain—— is &”;arrogant&”;, whil—— is &”;introverted&”;. On the one hand, Li Bai, as a great romantic poet, is &”;arrogant&”; in his bones. His arrogance is not only manifested in his absolute confidence, but also in spending money like water and dismissing dignitaries. He has repeatedly compared himself to a Dapeng who flies high for nine Wan Li and hits the water for three thousand miles, or to a legendary figure who has established incomparable wonders in history such as Jiang Shang, Lu Zhonglian and Xie An. His official career designed for himself is not to take the road of the imperial examination of ordinary literati, but to be a blockbuster and soar to the sky one day, from cloth to clothes, so that &”;the atlas area will be settled and Haixian will be cl《代寿山答孟少府移文书》). His pretentiousness and arrogance can b《代寿山答孟少府移文书》), &”;It&;s not surprising about Yao and Shun&”; (《怀仙歌》), &”;who sang a mad song disputing Confucius&”; (《庐山谣寄卢侍御虚舟》), &”;Going out laughing in th《南陵别儿童入京》), &”;Who knows th《南阳行》）； Similarly, in his poems, we can also find his attitude of spending money like water: &”;Gold and white jade buy songs and laugh, and when you get drunk, you despise princ《忆旧游寄谯郡元参军》), &”;Five flowers and horses, a thousand golden qiu, and hand them to the boy to exchang《将进酒》), &”;I traveled to the east for a long time, but in less than a year, I scatt《上安州裴长史书》）； Although Li Bai lives in a society that pays attention to rank, etiquette and birthright, he has no authority and rank in his eyes. He showed great contempt for those princes and nobles: &”;A drunken man is tired of the moon and despises princ《忆旧游寄谯郡元参军》), &”;Princ《少年行》), &”;Five princ《流夜郎赠辛判官》), &”;oh, how can I gravely bow and scrape to men of high rank and men of high office and who never will suffer being shown an honest-hearted fac《梦游天姥吟留别》), and even he didn&;t pay attention to the emperor of the dynasty. He could &”;call the emperor to the boat and call himself a wine fairy&”;. This is just like Ren Hua&;s evaluation of him: &”;I have been a guest for decades, and I have never lost my color.&”; (《杂言寄李白》), in such a hierarchical society, he can unscrupulously laugh at the feudal hierarchical order centered on political power. He is really &”;arrogant&”;. On the other hand, for Su Shi, if Li Bai&;s extreme &”;arrogance&”; is compared to a cup.Spirits, then Su Shi&;s &”;introversion&”; is more like a cup of tea. He is also brilliant, even his literary and political talent far exceeds that of Li Bai. As Song Shenzong said, Su Shi&;s struggle against reality is more introverted than that of Li Bai&;s &”;arroganc《与蒲传正》&;s book, he advised Pu to save money and be good at running his own industry; After being demoted to Huangzhou, he lived extremely frugally; Even when he was far away from Hainan in his later years, he still declared that &”;the monarch&;s life is heavy and the minister&;s day is there&”;, and he still emphasized the monarch&;s life and minister&;s day, which also showed the differenc《日出 入 行》 and Su Shi&;s po《水 调 歌 头》 (&”;When will there be the next month&”;) show their completely different attitudes towards the nature of the universe: Li Bai is full of self-confidence and domineering to dominate the universe; Su Shi, however, recognized and conformed to the shortcomings of life, and suddenly realized the philosophy of life, &”;I wish people a long time and a thousand miles together.&”; There are so many differences between Li Bai and Su Shi in the connotation of being bold and unrestrained, which is of course closely related to the social and cultural environment, personality and life experience of their respective dynasties. Li Bai: Taoist thought is the bone, advocating personality liberation. Like any ordinary literati, Li Bai has a strong Confucian concept of loyalty to the monarch, and his lifelong ambition is to &”;be willing to help the king&”;. When his ambition to help the king bring peace and stability to the country can&;t be understood by the world, his thought of helping the world will turn into a deep pain in his heart. &”;If you want to contribute to the economy, who can see it cl《邺中赠王大》). In order to get rid of this kind of pain, Li Bai relied on the Taoist thought of advocating nature and unrestrained to solve it himself, except for the external thing of &”;wine&”;. At the same time, the immortal world advocated by Taoism appeals to Li Bai&;s character of loving and yearning for nature. The darkness and filth of real life made him fantasize and pursue a beautiful fairy world more strongly. Taoism has given Li Bai imaginative wings to wander around, adding magical and elegant romance to his poems. &”;There are nearly seventy articles in two volumes of anci《韵语阳秋》, Ge Lifang, Volume eleven). Learning Tao and asking immortals is Li Bai&;s &”;shortcut to the south&”; for seeking official positions; After his career was frustrated and he was returned to the mountain, it was he who vented his anger. And his negative thoughts, such as seclusion, pleasure in time, life and death, and harmony of all things, also originated from Laozi and Zhuangzi&;s thoughts. Su Shi: Confucianism is dominant, shining with the brilliance of rationality. Su Shi&;s thought is complex, absorbing Confucianism, Buddhism and Taoism in an eclectic way. Politically, Confucianism is dominant, which is mainly manifested in the political ideal of &”;to be a gentleman and be obedient&”;; However, in the philosophy of life, his thoughts are more close to Buddhism and Taoism, especially after his political car《定风波》 said, &”;Don&;t listen to the sound of beating leaves through the forest.&”;, why not sing and walk. Bamboo and mango shoes are lighter than horses. Who&;s afraid? A raincoat of coir raincoat, let the wind and rain, still live my life. The spring breeze cool, will my wine to wake up, the cold beginning of the cold, the sun of the mountain peak of the sun but in time to meet. Looking back at the place to meet the wind and rain, go back, for me, there is no wind and rain, or fine weather. &”;Words are revealing the feeling that tired birds know how to return, and they are eager to&”; go home &”;to live a free pastoral life like Tao Yuanming, which is caused by his optimistic and broad-minded temperament. Su Shi&;s broad-mindedness is not an individual phenomenon, but is influenced by the rational spirit of the whole Song Dynasty, and its ideological core is the transcendence of traditional thought and rational thinking. Reading Su Shi&;s works, the deepest impression is the implicit and deep life thinking and the rational spirit flashing in this thinking. After Su Shi was demoted to Huangzhou in Wutai Poetry Case, his attitude towards life changed greatly. He stayed indoors for a long time, studied Buddhist scriptur《东坡易传》 and other works. He learned to look at life from a philosophical point of view and judge the world around him by rational thinking, so that he can understand the gains and losses, the joys and sorrows of life, and it is with this rational philosophical thinking that he can gain a brand-new outlook on life and reach a higher realm of life. In Su Shi, what we see is optimistic, broad-minded, wise and free-spirited. He is a wise man who lives in the imperial court and is loyal to honest and frank, but has been reduced to the countryside without depression and pessimism. Li Bai&;s &”;recluse&”; means &”;recluse&”;. Li Bai: an impure recluse, who lived in seclusion throughout his life, can be said to be a practical practitioner of &”;recluse&”;. Li Bai lived in seclusion for the first half of his life to prepare for his official career, and returned to seclusion in the second half of his life. However, he was in Shan Ye and his heart was in Wei Que, and he never forgot his political ambitions. Under the background of the relaxed cultural system in the Tang Dynasty, Confucianism, Buddhism and Taoism kept pace at that time, and the situation of the integration of the three religions had begun to emerge. Many literati had the ideal of &”;bring peace and stability to the country&”; and were influenced by the seclusion in Wei and Jin Dynasties, and they were willing to imitate their predecessors&; seclusion life, which made the seclusion wind flourish and even appeared a special form of &”;shortcut to the south&”;. Influenced by Taoism, Li Bai advocated a free and secluded life and put it into practice many times, but he never forgot his political ideal. Therefore, Li Bai&;s seclusion is to be an official. Although it is &”;hiding in the body&”;, it is &”;hiding to be an official&”;. In 722 AD, Li Bai lived in seclusion in Qingcheng Mountain for three years. In 736 AD, Li Bai moved to Shandong with his family. He still roamed around, and lived in seclusion in Culai Mountain with Confucius, Han Zhun, Pei Zheng, Zhang Shuming and Tao Wei, singing and drinking wildly all day long, and was known as &”;Six Relieves of Zhuxi&”;. Before he was called to Chang &;an by the emperor at the age of 42, he had been living without a fixed address, traveling or living in seclusion. However, Li Bai&;s seclusion did not enable him to achieve his political goal of being an official. In the first year of Tianbao, 42-year-old Li Bai was finally recruited by Xuanzong to enter Beijing. He was filled with joy and &”;went out laughing&”;. However, this time, he only became a literary assistant for the emperor, which was far from his political ambition of &”;helping the poor&”; and was excluded by powerful people. In less than three years, Li Bai was given money back. He angrily left changan, againI began to travel around, and met many friends, including som《将进酒》, who often drinks with them to drown his sorrows. Therefore, I wrote a poem full of anger, &”;what are bell and drum, rare dishes and treasure?, I wish I would stay drunk forever&”;. During this time, Li Bai also lived in seclusion in Lushan Mountain, Dangtu H《宣州谢眺楼饯别校书叔云》: &”;since yesterday had to throw me and bolt; Today has hurt my heart even more. ….. since the world can in no way answer our craving, I will loosen my hair tomorrow and take to a fishingboat. &”; He is not only dissatisfied with the current situation, but also can&;t forget his political career in the DPRK for three years. He wants to indulge in Shan Ye, but he is also unwilling. &”;When Dongshan lies high, it&;s not too late to help the general public&”; ((《梁园吟》), and he feels that he should be able to make great achievements. Li Bai has always been in a constant contradiction between being an official and recluse, between ideal and reality. It is precisely because of this contradiction that Li Bai can neither pander in officialdom like some politicians who pursue fame and fortune, nor completely abandon his political ambitions and become a real hermit. Su Shi, who is in official career and has been relegated to seclusion, said: His life was full of ups and downs, but he didn&;t really live in seclusion. However, the yearning for a comfortable rural life revealed in his poems is deeper than any oral or actual seclusion thought of his predecessors. Therefore, Su Shi&;s recluse thought is mainly manifested as &”;seclusion in the heart&”;, and this form of recluse is a good medicine for him to adjust his mentality. Su Shi&;s life has always been in the political whirlpool of the struggle between the old and the new parties in the Northern Song Dynasty. Although he &”;strives to have a cont《亡兄子瞻端明墓志铭》), his weather-beaten official career makes his political ideal full of rich political worries and life worries. The Wutai Poetry Case in the second year of Yuanfeng knocked Su Shi to the bottom of his life, which almost threatened his life, led him to rethink his life and contributed to the change of his attitude towards life and cr《初到黄州》 wrote: &”;It is ridiculous to laugh all your life because you are busy with your mouth.&”; The Yangtze River knows the beauty of fish around the country, and the bamboo is fragrant with bamboo shoots. &”; Although the poet was punished, his heart was full of sorrow, but we can see from the poem that the poet expressed his inner feelings of being demoted in a humorous and self-deprecating style, appreciated the beauty of nature to chat with him, and freely spilled out of the poem. Although people can&;t help themselves in the officialdom, it doesn&;t prevent Su Shi from seeking the pleasure of seclusion in a difficult living 《夜泊牛口》&;s &”;worldly illness&”; is not enough for me. Do your best to understand nymphs, mostly for wealth and beauty. Try to see the joy of birds, and you are willing to be high. &”; &”;The world is a big dream, and life is cool in autumn.&”; 《西江月》 &”;Who knows Wan Li gu《许州西湖》&”;, &”;Th《临江仙》 and so on. In the contradiction between serving the country and worrying about the body, and wanting to return to it or not, Su Shi had to learn the joy of his own temperament in the spiritual imagination of &”;seclusion&”;, dilute his frustration and worry in the imaginary world, find his lost self in the feeling of relaxation, , attachment and comfortable balance, drive the boat of &”;seclusion&”; and realize his self-worth in the wonderful chapter of poetry. &”;Concealment in heart&”; has become a good medicine for Su Shi to heal his wounds and seek psychological balance in the danger of his career. His political ambition and &”;seclusion complex&”; have finally been unified by the magic weapon of &”;concealment in heart&”;, thus reaching the cultural realm of a complete life beyond himself. In a word, whether it is Li Bai&;s &”;recluse in body&”; or Su Shi&;s &”;recluse in heart&”; after his official career and relegation, they are all more or less influenced by Confucianism, Buddhism and Taoism. It is only because of their different times and different personalities that they express their recluse thoughts, and their recluse practice has different effects. Hermit culture has never been the mainstream of society, it is the product of literati in feudal times or expressing political demands or personal ambitions, and it is the supplement of mainstream culture, so hermit thought is not completely a negative thought of failure and avoiding the world. The idea of seclusion has different forms of expression, which is a cultural phenomenon that embodies individuality. The literati in Tang and Song Dynasties, represented by Li Bai and Su Shi, presented us with a rich and splendid picture of seclusion culture. Moon image is a very prominent image group in Li Bai and Su Shi&;s works, and there are obvious differences in aesthetic connotation between them. In terms of aesthetic realm, the image of the moon in Li Bai&;s and Su Shi&;s works is a paradise of seclusion and an empty Zen realm. In terms of aesthetic function, Li Bai mainly strengthens his own feelings, while Su Shi mainly understands history and life. In terms of aesthetic characteristics, the moon image in Li Bai&;s works is embodied in emotion over thought and transc—— is qui—— is 《古风》 (Bai Ou of Shake Origin) wrote Bai Ou&;s &”;Send a shadow to Susha Moon, and play Chunzhou along Fangxi&”;. 《鸣皋歌送岑征君》 wrot《金陵城西楼月下吟》 wrote that he felt the same principle in ancient and modern times in the secluded environment of &”;White clouds reflecting water shaking an empty city, whit《江上赠窦长史》 wrot: &”;people suspect that the sky is a building boat, and the water is cl《月夜江行寄崔员外宗之》 wrot:, Jing Yun, on the river: &”;The moon turns with the blue mountains, and the sky flows with water. On the milky way, butSleep in the clouds and for《宣州谢朓楼饯别校书叔云》 wrot:&”; w《梁园吟》, the poet observed in his trip that &”;I floated to Beijing Que on the Yellow River and wanted to enter Bolian Mountain&”; that &”;in the past, people were noble and believed in Ling Jun, but today people cultivated the tomb of Xin Ling. The desolate scene of the barren city shining on the blue mountains and the moon, and the ancient trees entering the clouds of the sky, gave birth to nostalgia, and realized the truth that &”;life is too busy to worry, and you can drink wine to climb th《行路难三首》&;s Third Cloud : &”;don&;t wash your ears on hearing something you dislike, nor die of hunger like famous hermits on the Pike!. Living without a fame among the motley crowd, why should one be as lofty as the moon or cloud?? &”; Taking &”;namelessness&”; as the most important thing, &”;namelessness&”; means gaining a &”;great name&”; that keeps pace with the world. The poet is more free and easy than the ancients and Yunyue. For Su Shi, the moon image in Su Shi&;s works also has the characteristics of &”;purity&”;, but it lacks Li Bai&;s kind of escape and immortality, and adds a layer of &”;empty realm&”; of meditation, which is manif《点绛唇》 (l: &”;Who to sit with, the moon will cool m《次韵江晦叔二首》&;s first cloud, :, &”;fortunately, with Deng Xianguo, we are sitting in a noisy plac《念奴娇·中秋》 Cloud : &”;Looking far from the sky, you can see the sky in Wan Li, and there is no trace of the cloud. Guipo flies to the place where the light shines, and it takes a cold dip for a day. Yuyu Qionglou, coming and going by Luan, people are in a cool country. &”; Th《十一月二十六日松风亭下梅花盛开》 said, &”;Don&;t leave the night in the dim light, for fear that Leng Yan will be warm in winter.&”;. In the thorns under the pine wind pavilion, two jade pistils are in the Ming Dynasty. Hainan Xianyun is charming, and the clothes are thrown under the moon to buckle the door. &”;It is extremely written that the plum blossom growing environment is desolate and the color is bright and clean, which m《次韵吴传正枯木歌》 Yun : &”;Heaven&;s ink and wash are unique, thin bamboo withered and loose to write the waning moon.&”; Isn&;t it a portrayal of your pride? Su Shi even loved the cold realm of the moonlight reflecting th: &”;Don&;t sigh when you drink alone, but fortunately you have a glimpse of the moon.&”; &”;The wine in the mountain city is too thin to drink, so I advise you to suck the moon in the cup.&”; Anoth《东坡》&;s po:: &”;The rain washes Dongpo, the moonlight is clear, and the city people walk like savages. Don&;t be afraid to find the right way to slope, and love the sound of dragging your staff. &”; Laugh proudly at the rugged road, only the bottom of my heart is clear. Happy and comfortabl《木兰花令·次欧公西湖韵》 mourn: &”;was an old man with Yu, only the West Lake and the Moon.&”; The realm is very empty and sparse, even a little bleak, full of endless Zen thoughts. plumThe elements of &”;Yi&”; and &”;Empty&”; were injected into &”;Qing&”; respectively, which caused the difference between fairyland and Zen, which reflected that they were studying life. Generally speaking, Li Bai&;s goal is to gain the development of emotion, while Su Shi&;s goal is to gain the opportunity of enlightenment. 2. The image of the moon has different functions. Li Baiyu—— to str—— to understand life. Both Li Bai and Su Shi use poetry as the expression tools of self-expression and self-expression, and both of them have left the spiritual image closest to &”;me&”;. However, there are obvious differences in the aesthetic function of the moon images in their works. Li Bai mainly strengthens his own feelings, while Su Shi mainly understands history and life. The so-called &”;feelings of self-strengthening&”; is to express lyrical feelings with strong feelings and broad mind with free lyricism as the main starting point. The so-called &”;thorough understanding of history and life&”; is to show lyrical feelings of high character and profound thinking with clear mind, self-reflection and understanding of history and life as the main starting point. For Li Bai, Li Bai&;s writing about the moon focus《月下独酌》, the poet&;s idea of &”;shall goodwill ever be secure?, I watch the long road of the River of Stars&”; comes from the pleasure of &”;till, raising my cup, I ask《月下独酌》&;s third cloud : &”;a bottle of life and death, everything is hard to judge. ….. I don&;t know that I have a body, which is the most fun. &”; &”;You&”; and &”;Nothing&”; in Laozi and Zhuangzi&;s thoughts are a pair of related concepts. &”;You&”; comes from &”;Nothing&”; and &”;Nothing&”; is the greatest &”;You&”;. Li Bai used &”;ruthlessness&”; to express his greatest feelings here, and used &”;no body&”; to express that &”;this body&”; transcends the skeleton and obtains the greatest body that is as big as the universe and the world. In his poems, Li Bai likes to express his free and easy style by &”;making the moon&”;, such as 《鸣皋歌奉饯从翁清归五崖山 居 》 Yun :&;s &”;recalling yesterday&;s dream, and making the moon cl《峨眉山月歌送蜀僧晏入中京》 Cloud : &”;made a great name for the Imperial Capital, and when it returned, it also made Emei Moon.&”; Of course, &”;moonlight on cr《送杨山人归嵩 山 》 Yun : &”;will 《陪族叔刑部侍郎晔及中书舍人至游洞庭五首》&;s second cloud, :, &”;and buy wine and Bai Yunbian on the moonlight in Dongting.&”; Li Bai also likes to call it &”;the flower moon&”; and &”;the autumn moon&”;, both of which directly appeal to sensory enjoyment, triggering people&;s emotional reactions. For 《幽州胡马客歌》 Cloud : &”;flies and shoots birds and beasts, and the flowers and moons are drunk and carv:, one of the clouds in 《襄阳曲四首》, &”;Jiangcheng is back in the water, and the flowers and moons are fascinating.&”; 《邯郸才人嫁为厮养卒妇》:: &”;Lishui Ming Qiu Yue, Nanhu Caibai.&”; 《玉壶吟》 Yun : &”;Three cups of sword dancing autumn moon, suddenly singing high and weeping.&”; Emotion is low or light. The poet&;s feelings are sometimes displayed in a very vast and profound way in time or spac《携妓登梁王栖霞山孟氏桃园中》 Yun : said, &”;Today is not yesterday, and tomorrow will come again.&”; &”;Have you seen Liang Wangchi last month? Yesterday, it was in Liang Wangsun&;s wine. Liang Wang has gone to the bright moon, and the oriole is drunk and crying in the spring breeze. &”; Both the moon and the oriole seem to have the same feelings of nostalgia as poets, and all things have the same experienc《子夜吴歌·夏》 Cloud : &”;a slip of the moon hangs over the capital, ten thousand washing-mallets are pounding.&”; The melancholy from the sound of smashing clothes and the melancholy caused by the smell of smashing clothes have spread to thousands of households in Chang&; an. Li Bai&;s oth《答王十二寒夜独酌有怀》, can sum up the aesthetic purpose of his growing feelings, which is really the best portrayal of Li Bai&;s life. The poem says: The clouds in Wan Li roll over the blue mountains, and the lonely moon flows in the middle of the blue sky. Lonely moon Canglang River Han Qing, Beidou strewn at random Chang Gung Ming. Huai Yu is white on the night of wine, and the jade bed is full of ice. Life drifts for a hundred years, and it must last forever. For Su Shi, Su Shi&;s writing of the moon is more about introspection and self-reflection, understanding of historical life, and examining his own heart to achieve the moral purpose of sinc《六月二十七日望湖楼醉书五绝》&;s second cloud, :, &”;The water pillow can make the mountain pitch, and the wind and the boat will wander around the moon.&”; Not only vividly wrote the night scene seen on the river, but also vaguely conveyed his secr《西江月》 (according to the wild and shallow waves) cloud: according to the wild and shallow waves, the sky is faint. The obstacles have not solved the arrogance of jade. I want to sleep drunk. It&;s a pity that there is a bright moon in a stream, so don&;t teach me to crush Qiong Yao. Tak: &”;swims in the water at night in spring&”;. Get drunk after drinking in a restaurant. Take the moon to a stream bridge, relieve the saddle and bend your arms, and lie drunk and rest less. And sleep has dawned, chaotic mountains are crowded, running water is loud and clear, and it is doubtful that it is not earthly. The book is on the bridge column. &”; The philosophy behind this experience is &”;when you come, you will be safe&”;, and life can live everywhere. It can be seen that the author&;s personality style is detached and independent. In addition, it is worth noting that compared with Li Bai, Su Shi seems to care more about reality, thus deepening his thinking and questioning about his own life existenc《辛丑十一月十九日，既与子由别于郑州西门之外，马上赋诗一篇寄之》 Cloud : &”;climbed high and looked back at the slope, but saw the black hat coming out.&”; I am bitter and cold, and I am thin and thin, riding a thin horse alone. &”; &”;I also know that life is different, but I am afraid that the years will go.&”; &”;You know this meaning, and you can&;t forget it. There is no pain in loving your job!&”; In the farewell, I feel worried about my life and reflect on it, so that I can r《行香子·述怀》 Cloud : is clean at night. Moonlight is like silver. When pouring wine, it must be full of ten minutes. It&;s a waste of fame and fortune, but it&;s a waste of effort. A colt in a sigh, a fire in a stone, and a dream. Although you hold an article, who will kiss you? And Tao Tao, happy naive. When will you go home? Be an idle person. Yeah, a piano, a pot of wine, a stream of clouds. Poets have the experience of &”;floating fame and gaining profits&”; and &”;wasting pains and pains&”;, so they understand the benefits of &”;being an idle person&”;. Su Shi also often speaks his mind with the moon, such as :, on《次韵江晦叔二首》&;s clouds, &”;The floating clouds change current affairs, and the lonely moon is clear.&”; The &”;lonely moon&”; here has included the author&;s ontological understanding of the long history and fleeting life, and it has great practical value. The moon image in Li Bai&;s works mainly embodies the aesthetic function of strengthening self-feelings, which often makes the &”;moon&”; and &”;me&”; indistinguishable, and its shape is shaped with things, thus having an elegant meaning that people and things freely move between heaven and earth. On the other hand, the moon image in Su Shi&;s works mainly reflects the aesthetic function of understanding historical life, which is often manifested as a philosopher&;s &”;moon&”; that abandons the physical essence and fills the personality characteristics, pursues elegance, self-adaptation and self-improvement, and is full of philosophical implications of meditation from nature. 3. The aesthetic of th—— is mor—— is more important than feeling and getting in and out of reality. In the aesthetic process of &”;moon&”;, both Li Bai and Su Shi have pushed their lives and themselves into an ideal state through the &”;moon&”;, thus realizing an instantaneous sense of detachment. It can be seen that their understanding of the &”;moon&”; is a process in which they come to beauty, blend in beauty and forget beauty. However, the aesthetic characteristics of the moon image in their poems have different emphases. The moon image in Li Bai&;s works shows that emotion is more important than thought and transcends reality, while the moon image in Su Shi&;s works shows that thought is more important than emotion and goes out of reality. In addition, it should be noted that the characteristics cited here are only the outstanding aesthetic characteristics of the poems involved in the moon image in their works, and do not include all their moon-related works respectively. Let&;s make a comparison b《把酒问月》: When will there be a moon in the sky? I now stop the glass and ask. The moon will never be able to climb the moon, but the moon walks closely with the people. Bright as a mirror flying in the palace, the green smoke cleared out a cool glow. Only see rising from the sea every night, and who knows the morning clouds in the clouds. The white rabbit pounded medicine in autumn and revived in spring, and Chang &;e lived alone with whom. Now the people of the present are not seen in the ancient months, but in the present month they have taken the ancients. The ancients and the modern people like the flow of water, the common sight of the moon is so. Only hope to sing aloud to the glass, the moonlight can be long in the gold cup. Wh《水调歌头》: Moon be there? I fetch the wine glass from afar. I do not know the palace in heaven, and what month and when. I want to go home by the wind, for fear that I will be too cold at the top of the building. Find out how dancing shadows are like in the world. The moon turned scarlet pavilion, hung low on the carved windows, according to the sleepy self. The moon should not have any resentment against people, why is it that the people are only round when they leave? People have joys and sorrows, and the moon is sunny and round.Lack, this matter is ancient and difficult. We wish each other a long life so as to share the beauty of this graceful moonlight, even though we are miles apart. Romantic poetry and wine has always been a kind of praise and nickname for literati&;s chic personality by Chinese people, and it is also a beautiful tradition of culture since Wei, Jin, Tang and Song Dynasties. It has injected a kind of romantic, passionate and wild hormones into our national character, which is known as quiet and calm, and is full of lively vitality. &”;When will the moon come in the sky, I will stop for a cup to ask&”;, &”;till, raising my cup, I asked the bright moon, to bring me my shadow and make us three&”; and &”;When will there be a bright moon, ask the sky for wine&”;, &”;I hope people will live for a long time, and forget about the old country, try new fire and new tea, and make poetry and wine take advantage of the years&”; are the broad-mindedness of both. The sharp contradiction between ideal and reality caused a strong mental distress. In the contradiction between incomparable self-confidence and no way to enter an official position, Li Bai&;s loneliness and pain could not be resolved. Whenever he encountered setbacks and injustice, he burst into strong indignation. His bold criticism and denial of the order at that time often had an avalanche. However, in addition to his indignation, he wanted to use seclusion to seek immortality and binge drinking decadence to temporarily relieve his mental pain. This is how Li Bai spent his extraordinary life in the fierce ideological struggle between ideal and reality, and between birth and WTO. Li Bai found the eternal moon as a bosom friend from the sky and imagination in the social situation where there is no way for heroes to know each other. He entertained the audience with wine, invited the moon to drink together and danced with the shadow, and wrote a famous articl《月下独酌》 (part one) that poured out his chest: &”;from a pot of wine among the flowers, I drank alone. There was no one with me. Raising my cup, I invite the bright moon, who brings me its shadow and makes us three. Alas, the moon was unable to drink, Shadow Puppet with me, but still for a while I had these friends, to cheer me through the end of spring. I sing the song is bright and wandering, I dance the shadow before drifting. Have sex when you wake up, and separate when you are drunk. Shall goodwill ever be secure?, I watch the long road of the River of Stars. &”; Spring flowers are in full bloom, and under the bright moon Yin Hui, Li Bai, who is lonely and depressed, brings wine to the wind and raises a glass to invite the moon. The moon and wine have become the comforters of Li Bai&;s lonely soul. Drinking under the moon, Li Bai exudes &”;wild&”;, while Su Shi focuses on &”;taste&”;. Li Bai raises a glass to invite the moon because of loneliness. Without loneliness, there is no poet; Su Shi&;s questioning of wine originated from questioning, and without questioning, it would not be Dongpo. Both Li Bai and Su Shi&;s drunkenness stems from a deep pain and injustice, which is a helpless choice. But for the former, drunkenness is due to the imbalance between self-transcendence and self-unsurpassability; For the latter, drunkenness is due to the irreconcilable contradiction between the desire to transcend reality and the impossibility of reality. &”;Young sick afraid cup Shang, old to know th《次韵乐著作送酒》), just as boiling water melts snow in an instant, all kinds of worries are gone because of a pot of spring wine, which is th《念奴娇·赤壁怀古》). Wine can alleviate the temporary pain, but it can&;t change the cruel social reality. Let&;s use a thin glass of wine to pay homage to the eternal bright moon on the river. &”;People have joys and sorrows, and the moon is full of ups and downs. This matter is ancient and difficult.&”; Su Shi is going through the hurdles.Ke&;s life journey and official career have always maintained his broad-minded and detached interest. He saw historical disputes, human plunder, and rapid changes. In such a mood, h《定风波》). After the ups and downs of the official career, Su Shi resolutely converted to his own personality ideal and returned to the true nature of life. Although Li Bai and Su Shi belong to the same uninhibited clan, Li Bai &”;puts wine in asking for the moon&”;, focusing on &”;luxury&”; and &”;escape&”;, which is heroic and unconstrained. Su Shi&;s emphasis is on &”;&”; and &”;expressiveness&”;, and he is broad-minded and open-minded, and his free and easy place is as clear as Zen. Their weather is different, Li Bai conforms to Nietzsche&;s Dionysian spirit, and Su Shi embodies philosophical sentiment, which together sublimates the moon subject in ancient literature to an insurmountable height! In the face of real life, Li Bai and Su Shi often let the wings of imagination fly freely in the vast space and time, and his spirit and thoughts are often detached from the world; Although Su Shi is full of romantic imagination, he is not detached from reality. His feet are always on the ground, and he seems to be able to take it and put it down, free and easy. Although Taibai and Dongpo belong to the same bold vein, Li Bai focuses on &”;luxury&”; and is full of heroism. He transcends reality with his personality itself; Su Shi, on the other hand, focuses on &”;letting go&”; and being open-minded. He transcends reality with toughness. There is no language in Li Bai&;s poems and songs, only naive temperament. The same is true of Su Shi&;s poems. Yuan Hao asked: &”;Since Dongpo came out, I don&;t know that there are words outside of sentiment, and there is really a&; had banished earthly horses for ten thousand generations&; atmosphere.&”; Their works are more than a hundred emotions. Outside the language, they are sons of liberty&;s vast, broad and unconstrained free spiritual world. Later generations have gained deep soul satisfaction in the literary fields of Li Bai and Su Shi. (The pictures are all from the Internet)