At the end of 1980s and the beginning of 1990s, it was the first peak of Chinese music, and its representatives were Tayu Lo, Jonathan Lee and other godfathers, and the four heavenly kings. With the decline of the dominance of the four heavenly kings and others, the Chinese music scene has reached its peak and declined. However, during this period, newcomers represented by Tao Zhe and Wang Leehom introduced fresh blood into the Chinese pop music scene, but it did not form a trend; Old-fashioned pop music still occupies the mainstream and still dominates the music scene; The music world is still thinking about who can inherit the status of the four kings. The Chinese music sc—— is stagnant like a stagnant pool. Finally, the figure who surprised everyone appeared, and his appearance was as overwhelming as a prairie fire, and led the Chinese music scene into a new era. He is the protagonist today, and also the protagonist of Chinese music since 2000: Jay Chou. Yes, RB Wang Leehom and Tao Zhe did play earlier, but failed to open the real market and bring about changes. If you want to describe it, Tao Zhe and Wang Leehom gave the prairie a single spark. Jay Chou, like a strong wind, scattered a single spark and became a prairie fire. I don&;t think it is necessary to introduce Jay Chou&;s life too much, so let&;s see how Jay Chou started a new era. I&;m ashamed to say that when Jay Chou was just starting out, you can guess what Jay Chou&;s nicknam《Jay》&;s album does sound a bit like Tao Zhe, but something different has appeared: Jay Chou&;s own style has been formed. Today, we won&;t have a sense of the times when we listen to the song &”;Lady&”;. Few people try this jazz rap. If you combine the lyrics, you will find that the lyrics and melody of this song are very fresh, even in today&;s era when European and American music can be listened to casually, it is still fresh. For example, when singing the song &”;Lady&”; at the beginning, it is difficult to catch the beat. Because he didn&;t take a strong shot, but returned with an empty strong shot. For another example, the lady still folds a willow every day. When you speak normally there (bold is stress), will you emphasize the suffix willow and the suffix there? If you don&;t believe me, you can try it. It&;s awkward. However, the ingenuity lies in that although these words are aggravated and not in line with daily life, they are stepped on the strong beat (precisely, these last words are just the strong beat of the next bar), and the disharmony of stress is smoothed out with the strength of melody and rhythm. So wouldn&;t it be more harmonious not to sing like this? Maybe no problem, after all, there are too many songs that rhyme by word. However, is it still human and fresh to deal with this? Don&;t forget that the lyrics of this song are classical, but the style is super modern (jazz). If you rhyme according to the words, it is likely to lead to the lyrics and style, but it may not be harmonious. For example, the desert is lonely. I haven&;t heard of it. Have you heard of the rain butterfly? The rain butterfly is: I fly to you and the rain falls gently, and I want your hug to surround me. Loneliness in the desert is: who will love me in loneliness in the desert, and you won&;t even let go of my memories. Yudie just changed the lyrics of desert loneliness.Yudie&;s lyrics are also quite Chinese, and loneliness in the desert is a typical modern love song, but Yudie&;s change is not inconsistent. Why? An important reason is that these two songs are rhyming according to the word (especially the sentence break and stress). The so-called difference between western modern and Chinese style is mainly reflected in the lyrics, and the influence of genre is not great. So does the lady do the same? To tell the truth, how long can Yudi《还珠格格》? Is there any breakthrough in music besides lyrics and something worth studying? The lady is also treated as a jazz love song according to the routine, except that jazz rap is less used, there will be no place to shine. Jay Chou, among the ladies, is to construct a contradiction between the East and the West, classical and modern, and at the same time to smooth out the contradiction uncompromisingly, so she is special, fresh and resistant to listening. Short and tight, no, Mr. Gao Xiaosong called him &”;neither a triplet nor the last sixteen, but a unique rhythm directly between the two&”;. For example, who wrote the song &”;Old Indian Turtledove&”; in 18 years? The old Indian Turtledove can basically be said to be the first mandarin acid jazz rap in Chinese music. Even if the style of acid jazz is put aside, its melody and arrangement are very interesting, lively and interesting, or exotic flowers. Combined with vincent fang&;s exotic lyrics, which seem to be nowhere to be found, this song is a exotic flower among exotic flowers, but its vitality will be very tenacious. It can be said that it will be difficult to have a rival in at least ten years. (Another compe already has it, that is, Turkish ice cream in Jay Chou, which has two extremes, one is fantastic to the extreme, and the other is dazzling to the extreme). If you can understand these two songs, you can basically understand why Jay Chou just joined together, which made all popular songs become old songs, and you can also understand how the generation gap came into being. These two songs are so cool. As a young audience, how do you feel when you are singing old-fashioned guavas around? Well, maybe you are too thin-skinned to dare, or you can&;t learn, and there are also things that make you dare to sing: Xingqing, Keke, and. Not as deviant and cool as the lady and the old Indian turtledove, but the melody color is different from that of their peers. Relying on the lyrics and melodies of different times, Jay Chou became the best and most nutritious sign in the age of seeking differences. And then cool out of the trend. When it became a trend, the human psychology of seeking common ground became a terrible driving force, which swept the music scene in an instant and won the best album award of the Golden Melody Award. However, this is only the beginning. Before the music scene recov《范特西》 came. If there is a trac《Jay》, th《范特西》 completely abandoned all the influences of others and really became the music only belonging to Jay Chou. Since then, the nickname of Little Tao Zhe has disappeared. With this album, the Golden Melody Award went straight to five awards: Best Arranger, Best Composer, Best Album, Best Album Producer and Best Lyrics, which officially announced the arrival of the Jay Chou era. How to praise echo2-@ album. com is not enough, because it brings brand-new music completely. Emil Wakin Chau commented: &”;Jay Chou has brought a revolution to pop music, which is very fresh and shocking. We male singers are all shocked by it. For a long time, including me, Jonathan Lee and Tayu Lo, we were all lost, feeling that the energy of our music was gone, and we didn&;t even know whether to stick to it. We&;re afraid it&;s really nice. The brand-new music concept and the brand-new language logic, combined together, are like a flood rushing into the music scene, which makes us annihilated. During this time, RB was all the rage, and even I tried to write a few RBs for my new album. But in fact, I am not suitable, and the sound makes me feel like vomiting. &”; Back to 《范特西》. Fan Texi is a transliteration of fantasy, which means fantasy and fantasy. It is just right for this album. Give me a song that is still a unique Chinese pop music scene today, nunchakus. Creatively speaking, how many people can think of making a song into a game? Nunchaku is a song to describe a game. The opening electric guitar gives a sense of substitution, the interlude is like a dialogue, the rap is to play mobsters, the chorus is to play boss fiercely, and the last roundhouse kick ends the game. Aside from creativity, the rhythm is enough to know how unique Jay Chou is: the smell of smoke in the Yanshao store is pervasive, and there are three passages in the Mamasan tea ceremony in the national/technical/library store next door, which is very spiritual. As a typical rap, if you can&;t handle it well in rhythm, it is a few treasures. You can try to sing along instead of following Jay Chou&;s broken sentences. Is it like counting treasures? No spirituality, very dry and astringent. There is also: one/step forward/left hook/fist/right hook: the person who annoys me is in danger/danger. Don&;t look at this rhythm, it won&;t be chaotic when you sing. If you really sing according to the traditional rhythm, there is no charm at all. By the time of the second main song, the singing method had changed considerably from that of the first main song. For the first time, the main song was a little more violent and orthodox; The second main song has a feeling of being careless and conceited (it can be understood that the game is playing smoothly). At the same time, the rhythm has changed. The first main song: Their son/I used to/heard from an early age/was more orthodox. The second main song: Their children/children learn from themselves/are used to it/have been exposed to it since childhood, which is more casual and highlights Jay Chou&;s own style. See Kung Fu for details. Jay Chou is the best example. It&;s just the rhythm. If we analyze it in detail, this song (accompaniment) has no melody, but the melody is on Jay Chou&;s voice. The arrangement, the two most dazzling lights are the erhu in the first interlude, which renders a rich atmosphere; The piano solo in the second interlude creates a classical quiet atmosphere and gives room for listening and thinking. For this song, I only have four words: unconstrained style. Don&;t forget, this song is cool The cool singing and lyrics, coupled with the magical hum and haw, are of course hard for elderly people to accept, but for young people who pursue coolness, it is really a blessing in heaven.. At the same time, the lyrics of this song, such as the sign that the benevolent is invincible, honest and frank is unyielding and upright, have been kicked away by me. In today&;s words, it is still very positive, but this positive energy is buried in the maverick music. Another example is love before BC. Let&;s not analyze the music, just say the lyrics. One song covers all the test sites of the earliest preserved written code in code of hammurabi. Let&;s talk a little about music. This song is a typical weekly RB. It&;s enough to compar《说，你爱我》 mad《说，你爱我》 has a sense of the times and a generation gap. William Castle. Talk a little about arrangement. Because I listen to songs with a stereo, I can&;t hear many details, and I dare not talk nonsense in arrangement and harmony, but I can still hear the big picture. The song William Castle, at the beginning, created a gloomy and horrible atmosphere with the effect of wind, and then added the sound of stepping on fallen leaves (I can&;t hear you clearly, let&;s just say so), creating an immersive effect. Then, the bell rang, and at the same time, birdsong appeared. It seems that the castle found someone coming and rang the bell, but the birdsong was suppressed by the depressed atmosphere and did not dare to speak loudly. Then the instrument sounded, and the melody highlighted the dark and gloomy feeling. Not to mention the breadth-responsible music like simple love and silence. These music, together, set off a wave and re-divided the pattern. Since then, old-fashioned pop music has truly become an &”;old song&”;, not because of the long time, but because its musical thinking and connotation ar《Jay》&;s album is a harbinger of the Jay Chou 《范特西》 is the arrival of the Jay Chou 《范特西》 is not an out-of-date album, and the melody is still durable and never out of date. Yes, Jay Chou&;s music is good, not only because of vincent fang, but also because his music itself has infinite magic power. To put it bluntly, the essence of Jay Chou&;s music is music. When listening to Jay Chou, you must appreciate the music itself, otherwise you will lose a lot of interesting and worth thinking about. In the tucao meeting, Li Dan tucao Wang Leehom and Tao Zhe were the two wrong answers of who was the strongest of the three little RB princes. It was just tucao, just for fun. However, the master has made a move, only a fraction, a fraction of the difference, determines the outcome, and refuses to accept it. Jay Chou used slow songs to be responsible for breadth and fast songs to be responsible for height, which satisfied all kinds of people in an all-round way, not only gained high popularity, but also impacted the Chinese music scene, making the Chinese music scene like a change of blood. It is no exaggeration to call these two albums epoch-making works. The fresh blood brought by Jay Chou and others flowed everywhere, which not only started the myth of Jay Chou, but also started the heyday of golden decade (2000-2010), a so-called Chinese music. During this period, countless outstanding musicians left footprints and created countless myths. Follow the pace, let&;s unveil the pinnacle of Chinese music.Ten years of prosperity!