Introduction to Sun Li Sun Li (April 6, 1913-July 11, 2002) is a modern novelist and essayist. Originally named Sun Shuxun, he was born in Anping, Hebei. Graduated from Baoding Yude Middle School in 1933 as a graduate student. He joined the work in 1936 and served as a novel teacher in Tongkou Town, Anxin County. He joined the work after 1939. He used to be an instructor of Hebei Anti-Japanese War College, an editor and teacher of Jinchaji News Agency, Jinchaji Border Federation of Literary and Art Circles, Jinchaji Daily and North China United University, a teacher of Lu Xun Coll《平原杂志》. After 1949, he served as deputy section chief, editorial board member of Tianjin Daily, Tianjin Branch of Writers Association, the fourth consultant and the fifth honorary title of Writers Association. At the age of 12, when he was in elementary school in Anguo County, he began to contact the May 4th New Literature. Lu Xun and the Literature Research Association had a great influence on him. He has always believed that art is the idea of life. Sun Li was admitted to Baoding Yude Middle School at the age of 14. During his study, he began to read social sciences, literary theory works and some Soviet literary works, which broadened his horizons and laid a good foundation for later creation and criticism. After graduating from high school, he was unable to further his studies, wandered in Peiping, studied in the library or attended the university, and once published an articl《大公报》 under the pseudonym &”;Yun Fu&”;. He has also worked as a clerk in municipal organs and primary schools. After the summer vacation in 1936, Sun Li went to teach in a primary school in Anxin County, Hebei Province, where he got a preliminary understanding of the life of the people in Baiyangdian. After the war broke out in 1937, he was mainly engaged in revolutionary cultural work in Jizhong District under the leadership of the Party. He once published revolutionary poems copi《海燕之歌》, and publish《现实主义文学论》《鲁迅论》 and oth《红星》 magazin《冀中导报》 supplement. In the autumn of 1938, he taught in the Anti-Japanese War College run by Jizhong District. In the spring of 1939, he was transferred to Fuping and worked in Jinchaji News Agency. Since then, he has worked as an editor and teacher in Shanxi-Chahar-Hebei Federation of Literary and Art Circl《晋察冀日报》 and North China Union University, and at the same time, he has created literature. In 1941, he returned to Jizhong District to 《冀中一日》, a mass large-scale reportage collection, and wrot《区村和连队的文学写作课本》 (lat《写作入门》《文艺学习》, reprinted many times). In 1944, he went to Yan &;an and worked and studied in Luxun Coll《荷花淀》《芦花荡》 and other works, which attracted the attention of literary and art circles with his fresh artistic style. After the victory of the war in 1945, he returned to the rural areas of central Hebei to write until liberation. During this period, he took part in the land reform and wrote short stories such as 《钟》《碑》《嘱咐》 and som《天津日报》, written in the early 1950s, takes two villages along the Hutuo River as the background, revolves around the life history of five families, namely Gao, Wu, Tian and Jiang, at the beginning of the Anti-Japanese War, and outlines the living conditions and mental outlook of all social strata in the Central Hebei Plain in detail, showing a magnificent picture of the armed forces and the establishment of base areas in Central Hebei under the leadership of the Party after July 7th. The author describes the changes in the base area with a calm attitud《铁木前传》 was written in 1956. Through the process of establishing and breaking up the friendship between the iron (craftsman) and the wood (craftsman) for more than ten years, the novel reveals the life style of the northern countryside in the early 1950 s and the profound influence of the agricultural cooperative movement on the rural society. The work successfully created Xiao Maner, a character with contradictory personality at the crossroads of life, which left a deep impression among readers. After 1956, the author stopped writing for a long time becaus《文艺周刊》, a suppl《天津日报》. During this p《津门小集》 and 《文学短论》. 《白洋淀纪事》 (1958), the collection of Sun Li&;s works before and at the beginning of liberation, is the most famous and representative collection of novels and essays by the author. It mainly reflects the life situation of war, land reform, labor production, mutual assistance and cooperation, and changing customs under the leadership of the party in the central plain of Hebei and the western mountain area of Hebei in the early days of its founding. The work outlines the historical customs of the times and society from many aspects, and has aroused strong repercussions among readers with its bright and fluent style, beautiful and elegant&;s meaningful style and rich imag《荷花淀》&;s works have become famous works widely circulated, and the literary and art circles even regard them as the symbol of a genre of modern literature and regarded them as the main representative works of the &”;Lotus School&”;. Sun Li is one of the representative writers of literature and art in the liberated areas. With his many classic works, he has described magnificent and fresh literary drawings of wars and liberation wars. After the liberation of the whole country, Sun Li&;s literary creation continued to make great progress, and he became a famous novelist and essayist in the history of new literature, and was regarded as the founder of the famous literary school &”;Lotus Dian School&”;. In the new period of reform and opening-up, Sun Li&;s literary creation has reached a second peak. His works have a wide influence at home and abroad with their profound thoughts, innovative styles, distinctive artistic styles and perfection. As an important part of Sun Li&;s literary achievements, Comrade Sun Li has been engaged in the editing of literary supplements of party newspapers for a long time, and has made great efforts for the prosperity of literature in the liberated areas and Tianjin, and for the growth of writers in Tianjin, especially workers. He initiated the excellent tradition of Tianjin Daily Literary Supplement to enthusiastically support young writers for decades.Over the years, it has trained a batch of well-known writers and creative backbones for Tianjin and the national literary world. He is a model of a generation of editors in the history of Chinese newspapers and periodicals. Comrade Sun Li is a banner of Chinese revolutionary literature and a master of Chinese modern and contemporary literature. He unswervingly followed the party&;s literary and artistic policy and carried forward and enriched the realistic tradition of Chinese revolutionary literature. His outstanding contribution to revolutionary literature, his lofty literary quality and personality have deeply influenc《荷花淀》 (collection of novels and essays) 1947, Ocean Bookstore; In 1959, humanistic 《芦花荡》 (collection of short stori《嘱咐》 (collection of short stori《村歌》 (nov《农村速写》 (collection of 《采蒲台》 (short story collection) 1950, Sanlian 《山海关红续歌》 (poetry collection) 1951, knowl《风云初记》 (novel collection) L, 1951, humaniti《白洋淀纪事》 (collection of nov《铁木前传》 (nov《津门小集》 (collection of 《白洋淀之曲》 (collection of po《晚华集》 (《秀露集》 (《耕堂杂录》 (《疆定集》 (《琴和箫》1982, Sichuan 《孙犁文集》(l-5 volum《耕堂散文》1982, Huach《尺泽集》 (prose collection) 1982, Baihua 《孙犁文论集》1983. Humanistic 《书林秋草》 (《孙犁散文选》1984, humanistic 《远道集》 (《老荒集》 (《陋巷集》 (essays)54-@.com (Prose) 1989, Humanistic 《芸斋小说》1990, The first hole of the publishing house&;s prose literacy class lived in the guerrilla zone for three days a week. A brief account of the martyrs&; affairs and postscript to the tower. Wang Fenggang pitted and killed Wei Anxin, an anti-mining platform. Watching and selling the seats. Zhang Qiuge recovered the battle of Tang Guantun. Learning dormitory saved Liu Zhuang Guajiasi ferry factory. Visiting the old wedding customs. One day&;s diary recalled Comrad《善暗室纪年》&;s nons《方纪散文集》&;s preface books, dreams and dramas, mourning Li Jitong&;s old stories in the village, the same old stories in the New Year, and the old stories in the newspaper. Stories of the Dead Talking about Mother&;s Memories, Dreams of Youth, Stories of Cats and Mice, Stories of Night …… Introduction of Sun Li&;s Works on War Theme Reading Sun Li&;s works started with novels at the earliest. What impressed me strongly was the unique style. They are both war themes, but they rarely depict blood and fire, have no tortuous storyline and complicated war description, but show more the beauty of the characters&; hearts in the war, but they have an attractive magical power. The scenery of Baiyangdian in his works is fresh and sparse, emitting moist moisture, like a faint ink painting, filled with rich po《芦花荡》 and 《荷花淀》 were my favorite readers. So far, when I closed my eyes, I saw a hazy and blurred moonlight. I heard that Shuisheng said that she would go to a large army tomorrow. Shuisheng&;s finger shook, and she thought it was Wei Mei-zi who cut her hand. She put her finger in her mouth and sucked it. How delicate and vivid the details are! Perhaps it was because I was young and inexperienced. At that time, I didn&;t like reading Sun Li&;s prose very much. I thought it was too dull, with no strange sentences and no fancy words. I wrote people&;s narratives and mostly sketched. At that time, I preferred heavy make-up, flowery words, passionate and unrestrained, and even the &”;fake, big and empty&”; lyric prose that &”;stressed the sorrow for adding new words&”;. With the growth of age and the deepening of experience, I feel that Sun Li&;s prose pays attention to emotional restraint, implication, simplicity and cleanliness, as if it had been washed in water, and it is a gorgeous extreme that belongs to plain &”;great beauty&”;. Only then do I realize that it is difficult to be plain and natural, and it is even more difficult to b《晚华集》, 《秀露集》, 《澹定集》, 《尺泽集》 … No matter remembering people, thinking about hometown, recalling childhood and war years, or singing about things, they all have a deep sense of life.Enlightenment. Mr. Sun Li doesn&;t like officialdom, stays away from the excitement and is lonely. It is precisely because of this rare character that he can enter the grand and profound artistic realm that ordinary people can&;t reach for a long time with a quiet and submerged attitude. Mr. Sun Li&;s prose is &”;writing about life&”;. He is a writer full of philosophical thoughts. Most of his philosophical thoughts are accompanied by images and passions, so in many cases, they help his works to form poetically. He often sublimates the feelings of life from the common things, and condenses and shows the deep feelings of life in his works, which not only gives people aesthetic enjoyment, but also makes people realize the truth about life, society and nature. Reading his prose is like listening to a wise man who has experienced many vicissitudes talk calmly and easygoingly. You need to calm down and r《黄鹂》, he wrote with deep affection: &”;Everything has its extreme. Tigers roar in the mountains, fish swim at the bottom of the pool, cam《贾平凹散文集序》, he praised Jia Pingwa as a farmer who worked tirelessly in a small garden, and at the same time reminded the writer: &”;The road of literature and art is just like the road of life. It is not necessarily a good thing that the gold medal list, horses, tall buildings, too many bonuses and excitement are too early. A person&;s life, or a writer&;s life, should be able to withstand hardship and loneliness, slander and. Above all, on this road, cold can be settled, heat can be obtained, wind can come, and rain can go. &”; Mr. Sun Li lived a simple life and didn&;t admire splendor. He loved the yellow and white cauliflower from the root of Chinese cabbage stored in the previous winter, carefully placed it in a basin and placed it on a book cas《菜花》. He thinks cauliflower is small and ordinary, but it is also beautiful. At the end, the author wrote: &”;Now, I am old and have lived in the city for a long time, and my hometown is like a dream. Facing a cauliflower, I suddenly remembered many past events. The past is like the color of cauliflower, which is far from nothingness and unpredictable and can only cause melancholy. A person&;s life is undoubtedly a big topic. Many people try their best to write it into a magnificent article. I can only write it as a short article, an essay equivalent to cauliflower. Cauliflower is also life, and all life can be the topic of the article. &”; In 1992, Mr Sun Li wrote an articl《扁豆》. &”;White lentils are thin and long, purple lentils are wide and thick, and there are many after harvest. I like to eat lentils since I was a child, either fried or fried. When frying, first steam the lentils and wrap them in flour, which is called lentil fish. &”; Write here, suddenly turn, cut into the memory of life in 1939, living with a single guerrilla. &”;Every night, I came back from the mountain and sat on his hot kang, eating his fried cornmeal cakes and fried lentils. There was also a green tobacco leaf baked on the stove, and he crushed it in his hand. We smoked and gossiped and listened to the whistling mountain wind outside. &”; From things to people, I deeply miss and miss the harmonious relationship between comrades in the war years, living and dying together and meeting each other sincerely.Sincerity, both sense and reason, lofty realm, see the big in detail, smart and elegant, perfect. Writing is like a man. Sun Li was indifferent to fame and fortune all his life, living in seclusion, keeping a low profile and being cl《孙犁印象记》: &”;Sun Li&;s works are completely consistent with his personality and can be trusted. Here we can borrow a passage he said in memory of the Russian writer Chekhov:&; We can only know him from his works. ….. For such a sincere writer, we can fully understand him as long as we read his works carefully.